Beef from Influxx Media on Vimeo.
December 05, 2008
A man recalls his encounter, and subsequent business dealings with a man of few words but many decisive actions. Looking back he ponders the events that led to his inevitable and eventual demise.
Shot on Panasonic DVC80
Edited in Premier CS3
Designed and colored in AfterEffects
Music recorded, arranged and mixed in Soundtrack
December 03, 2008
Anyway, I have my business website for showing my corporate portfolio. And I have this blog for ramblings and research and other related artworks. But what I have not had was a place to host the initial roughs, the raw sketches from which the finished projects are hewn. Or not. Some sketches never lead to anything. And that's the beautiful thing about keeping a sketchbook. It's an outlet for me, creatively. And great for building a library of ideas and techniques.
Thus I found myself needing an online sketchpad, a place to host my rough pencil sketches and experiments. Hopefully it will encourage me to sketch often and scan, upload and post them here.
November 18, 2008
I found out this week that Nic Harcourt, longtime host of KCRW's morning show Morning Becomes Eclectic, is moving on to pastures new and will no longer be hosting the show. However, evening show Metropolis host and respected LA DJ Jason Bentley will be taking over the reigns.
I first started listening to MBE and KCRW when I moved to Orange County from London. Back then Chris Douridas was the show host, and I remember the 'new guy' taking over after a couple of years. It felt strange not to have Chris do the show every morning, but it did not take long for the 'new guy' to become part of the establishment of my morning routine. Hard to believe ten years has flown by since then.
Since Nic took over MBE has grown into an epic show, its hard to find a better show anywhere on the internet. As I think back over the past decade, there are so many great moments, great bands, great performances. As has been the case since I first found KCRW my music library has grown brim full of outstanding music I would otherwise not have been introduced to.
So with sadness I bid farewell to Nic and wish him well. I am so happy to hear Jason is taking over, I have been as big a fan of Metropolis as I have MBE. Great to know our mornings are in such good hands.
October 22, 2008
When Steve Jobs announced AppleTV at Macworld 2007 I was initially really excited. Finally a chance to watch the gazillions of podcasts on my 61" Samsung HDTV from the comfort of my couch. I had Front Row already on my Mac, but had never used it because, well, my Mac is in my office and my TV is not. AppleTV promised the 'lean back' viewing experience for all the new media I had become partial to. Mainstream TV holds little interest for me outside of a couple of big shows (Lost, Heroes etc) and sporting events. I watch so much more internet content these days but being relegated to the discomfort of my office is a real turn-off, especially having been in that office for many hours already during the work day.
So AppleTV offered the TV experience for web content. Great. Or was it. Unless the content was in the Apple ecosystem there was little chance of getting any other media on the ATV. Quickly this became a point of contention for many who saw the ATV fall short of it's potential. Seemingly everyone who consumed online media wanted what the ATV offered, and more. There was huge demand. I did not take long for some very smart people to hack their way into the ATV OS and install third party apps to play other media, install bigger hard drives to store all this media, and some nifty SSH tricks for managing the whole lot. Trouble was, for the layman, the technically shy or retarded, this was an extremely geeky process to execute. Nothing I wanted to mess with, and risk bricking an ATV.
Fast forward to Macworld 2008 and AppleTV "Take 2" was announced. High Def movie rentals were now an option, something I could not even get from AT&T uVerse HDTV package. YouTube content had already been added, and now ATV could download, store and view podcasts without needing a Mac running iTunes. All great additions to an already slick product. But still, we were limited to content from the iTunes Store. Admittedly there is plenty of content in there to keep any video podcast junky happy for many years, but increasingly, the content I was tuning in to was out of the iTunes system. Videoblogs I subscribe to account for a huge percentage of my media viewing. Hulu was now online and serving content not available on iTunes. ATV still fell short of a truly Last Word Killer App.
Another option that is quite popular with online media fans is using a macMini running Miro (formerly Democracy). Miro can subscribe to and play any show with an RSS feed,which is almost every podcast, videoblog and web show on the internet. It's a great solution. Other than the fact that, like the ATV hacks, is still a bit geeky for everyday use. Basically the macMini uses your HDTV as a monitor, and thusly, interfacing with it is just like interfacing with a computer. This requires a wireless mouse and keyboard to control the Miro (and other) application. I would not be able to convince my wife and kid that this is the way forward to control our viewing experience, and if it this is just for me it's unlikely to ever happen.
Which brings us, finally, to Boxee. Like Miro, it can subscribe and play any media you might find on the web.1 But it lives inside the AppleTV, activated by a button added to the ATV user interface. This is created after a quick and (relatively) easy hack. A hack I myself would feel comfortable doing. There is a video on the Boxee blog that walks you through setting it up and it looks completely painless. Boxee pulls in content from Hulu, Last.fm, Flickr and much more which expands the AppleTV capability way beyond the iTunes ecosystem. And it is all controllable from the same remote used to control ATV, no other device to stand between you and your media.
The great thing about TV, regular old mainstream media TV, is it just works. You sit down on the couch, click the remote and content pours out of the screen at you. Changing channels is a simple one click process. New media, web media, online shows, whatever we want to call this next generation of audio-visual magic, it needs to be as simple as TV to take off into the mainstream. It's fun to be geeky and hack our gadgets, but most people wont accept that. If new media is to thrive, and get beyond the fringe novelty status2 then it needs to be one-click simple. Like TV.
From what I can tell, Boxee makes this possibility one step closer to reality. I signed up for the closed beta list. hopefully I will get an invite and be able to test it soon. It might just be the thing that will make me break down and finally get an AppleTV.
1. As far as I can tell from digging around the blog this morning. There is not a whole lot of info I could find as far as the exact mechanism for subscribing to content. so I am assuming a fair bit here. But it sounds like you can input an rss:// address to view content. I hope you can subscribe to it negating the need to enter that address each time.
2. Yeah I know, its not fringe, everyone you know is watching Hulu or Myspace or BoinBoingTV. That's the way it feels isn't it. But go ask grandma if she watched a Telly Savalas movie on AMC today or if she saw Dr. Horrible. I'll bet I know what she says.
BG plate shot on Flip Digital Recorder
Footage from archive.org
Score composed and recorded entirely in NI Absynth
Designed in AfterEffects
October 14, 2008
I've been following the progress of this indie film for some time now through the production blog. Originally code named Project:Pedal, the film recently earned it's final, permanent name "For Thousands Of Miles". This latest trailer for the full length feature evokes for me exactly what it did for co-creator Amanda Walker who posted this:
"This is Larry. This is somewhere between point A and point B. Where ever it is... I miss it. I miss kneeling on-top of the van, working the crane, watching Larry push through the wind. Knowing that every mile meant something to him... something people wouldn't see passing by in their cars. Something subtle."
Teaser 003 from mike ambs on Vimeo.
The other co-creator of "For Thousands Of Miles" Mike Ambs has been a regular Twitterer, which is where I first learned of him and his project. Following the progress, the ups and downs, victories and triumphs of the ongoing project via the Pedal production blog I get the sense that what mike lacks in ego, he makes up for in passion and artistry. He paints the corners of the storytellers strike zone with a battery of pitches. A slow curve-ball to connect directly to the humanity deep within your heart. A fast-ball right down the middle to stimulate your visual senses with rich, beautiful photography. And then a change-up that offers you more personal insight about Mike and Amanda's long history than indie film fans might be accustomed to.
Mike comes across as the kind of guy I'd love to just go and have a beer or several with. His posts on the production blog reek of honesty and integrity. And he has genius artistic and storytelling ability.
Go take a look at the feature film website and make a point of catching up with the production diary and the "64 Days" making of series of films. It's great film-making by true independents following their passion.
Taking the green and the nature of the organization into consideration, I picked three alternate background loops. The globe represented the international presence of MCA-I, the flowers were a kind of tongue in cheek nod to the flower power California 60's. The 3D graphic, the colored strands, represented the fabric of not only the multi-faceted organization and it's members, but also the many threads of media in the current digital landscape. Intertwined but woven as one.
These are the 3 sets of designs I submitted. The 3D strands, created in Cinema4D using the always lovely Danel shader, will grow out of the top corner. The background will be a continuous looping texture. The logo will reveal front and center, then fade back up to the top corner. The award recipients name will then appear. This will be run from a DVd player and projected onto a 20' screen.
TRT to be 20 secs.
The final movie can be found here:
September 26, 2008
On November 1-2, 2008 I'll be up in sun city, Phoenix, Arizona, for this years podcamp. It will be my first podcamp, I'm finally getting to attend one of these events. I usually don't find out about these until I hear the buzz during, or more typically, after the event. This was what happened in 2007. So right there and then, back in November of 2007 I made sure I bookmarked the site, signed up for updates and registered as soon as registration opened.
Considering I will have to miss motion08, the exceptional motion graphics conference in Alberqurque, NM due to financial considerations, I am pretty excited to attend this event. It may be the only other conference I get to this year, after SIGGRAPH in Los Angeles this summer. DVExpo is coming up in December and I have been at that conference for the past 8-9 years. Last year was not so great so I think I will be giving it a miss this time around.
Which leaves PodcampAZ as one of the highlight's of the autumn for me (along with my wife and son's birthdays and NHL hockey resuming). I'm hoping to meet up with some of the great people I know from the internet, getting to meet them face to face will be interesting and probably a bit weird. I hope to learn a few new tricks and verify some assumptions about new media production. I hope to even be able to share some of my expertise and knowledge too. Isn't that the point of the unconference. Ultimately though, I hope to meet new people, make some new relationships, initiate/instigate some new collaborative projects.
If you are going and want to get a drink and say hi, look me up on twitter
I'm treating this like a real job, disregarding budget of course, because there is no budget. But I am treating myself like I am my client, asking myself all the usual questions designers delve into with their clients.
I created two alternative look and feels based upon the same content requirements, rather than just design something I might like. But the problem here is that I still cant give myself subjective feedback. So I am turning to my friends in the community to offer honest critique and feedback.
What do you like, dislike? What works? Is it easy to find your way around the page? Is it balanced correctly? Which aesthtics do you like?
I'd really like participation here, so any quick thoughts (I don't need an essay) would be sincerely appreciated.
Many thanks for playing
Influxx Website Redesign : Home Version 1
This design speaks to the more artistic side of my nature, with elements of organic painterly feeling. I tried to acheive a rich, warm layered environment that was very textured and inviting. The nav is large and prominent, but the centerpiece is the large media bucket front and center that will pull a random FLV video from the project vault.
Influxx Website Redesign : Home Version 2
This design is in a more typical and modern style, with a tech, blog minimalist feeling. Keeping colors neutral overall lets the reds and yellow from my brand style jump out. The nav is large and simple, and the focal point is the large media bucket that will play a random project FLV video.
February 08, 2008
Some notes and observations after testing the screen capture software Macromedia Captivate this morning.
It is very Flash like in its construction. Place sprites on the stage and does its best to automate the animation of them. Audio can be recorded at the same time or later, either directly or imported. It recorded ‘events’ not frames and they are placed as objects on a Flash-like timeline. Everything is editable and can be further customized after recording in Captivate or Flash. It creates presentations that are similar to this:
This does a kind of animated approximation of the user experience. Cursors are tweened, windows are made visible and hidden as objects on a timeline, etc..
What Captivate does not do is create a frame based recording. That is every frame is recorded as a unique flattened image. The sequence of images are then played back in a linear fashion as am movie. Techsmith Camtasia is a type of product that creates a recording as such, usually in Windows Media, but can be converted to any format. It creates presentations that are similar to this:
(note, this only works on PC)
Microsoft distinguishes these 2 styles of demo on it's site as, respectively, Overview Demos, and Task-based Demos.
Captivate tries to bridges these 2 styles actually. It attempts to make a ‘task-based’ demo by using low bandwidth sprit-based animation used in ‘overview’ style demo’s. Very interesting. Obviously it is a huge plus to be able to export to Flash for further enhancement, which is almost definitely necessary as it does not always capture the exact motion you were hoping for. A lot of post work would be in order to complete a ‘task-based’ demo with Captivate, whereas with a frame-based capture you get exactly what you see on screen with the caveat you lose any ability to enhance after the fact.